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Guest conductor Iván López Reynoso returns to the MSO to conduct Brahms’s second symphony, a serene and light-filled work that nevertheless carries a tinge of Brahms’s signature melancholy. Pianist Joyce Yang, also no stranger to the Bradley Symphony Center, brings her “agility, balance and velocity” (Washington Post) to Gershwin’s ambitious and jazzy Concerto in F. Fittingly, this upbeat program begins with the overture to Bernstein’s comedic operetta Candide.

How you’ll feel: animated; lightened; whisked away to Tin Pan Alley

What to listen for:

  • Of Brahms’s compelling second symphony, his publisher Simrock said: “the melodies fly so thick here that you have to be careful not to step on one.”
  • George Gershwin felt that the Charleston dance represented “the young enthusiastic spirit of American life,” and included its rhythms throughout his very jazzy Concerto in F.
  • Candide is an operetta in the vein of Offenbach and Gilbert and Sullivan. Its music has all the wit, élan, and sophistication that is associated with that genre. This is immediately apparent in the Overture (who ever wrote a special overture — in sonata form, no less — for a musical comedy?).” Read more about Leonard Bernstein’s overture to Candide.

 

The MSO Steinway piano was made possible through a generous gift from Michael & Jeanne Schmitz

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